"A Two Hearted Tale” Film Screening and Q & A with the Director and Artist, (free, registration required)

 I’ve been an independent studio artist since 1981, when I earned an MFA – the terminal degree in studio art. My studies took me far beyond the US - to Bonn, Vienna and Prague.  In Prague, I apprenticed with Jindra Schmidt, an engraver of stamps and currency and could have been a counterfeiter, but for the dreariness of spending one’s days making money.  Those studies set the stage for a life in pursuit of will-o-the-wisps, apparitions, enlightenment, old trees and some good fishing, taking me to the Himalayan Plateau, Patagonia, Peruvian altiplano and many other places one can enjoy exotic vacations or have one’s eyes opened.  Everywhere I draw and rake those drawings back to the studio for transformation into etchings. 

I have tried some different disciplines on for size, from translation to illustration and museum design, but mostly it has been the counterpoint of a life in the sciences that has allowed me to appreciate that my station in life is as an artist.  I have collected bird eggs to study their development, banded birds in migration studies and killed way too many fish in ecological experiments of questionable worth.  I have done environmental impact work for a nuclear power plant uninterested in results and synthesized questionable pesticides for a pharmaceutical firm.  It helped make me who I am today, and informs my artwork to this day.  I am also grateful that I need no longer quantify, collect, nor analyze the enzymes or entrails of living beings to earn my bread.  I can today, like Carl Linnaeus, John James Audubon or a butterfly, go about gaining my insights through direct observation with pencil and paper in hand.

Magdalena Abakanowiscz once peeled the scales from my eyes at a lecture with the probing question aimed at the artists in her audience, “are we here to be decorators, or Shamans? “ That hand across the generations from an elder helped me frame the purpose of my work, and realize that the place of the artist has indeed become that of shaman, conjurer, trickster, story-teller — that of the visionary who breaks the deadly hold of predictability, death and taxes and gives us something more to live for. 

I have on occasion found myself contemplating an old tree and as I drift off into reverie with a half-completed sketch slipping between my knees , I become aware of a soul inhering in that wall of wood erupting from the earth before me.   Intellect becomes subdued and the subtle energies become more discernible. The tree begins to expand and contract in nearly imperceptible, but very real, rhythmic pulses. 

Consciousness is a universal attribute of matter – something we knew as children and which we must later laboriously rediscover to attain that second order innocence. Eternal verities become evident only gradually as one assumes a certain humility about what remains unknown - even unknowable.  And I grasp my pencil and circle  that simple reality of the living breathing tree and point it out once from this angle and then with another crisp line pressed into the paper from another, closing in with word and line on the truth of that insight. 

I’ve had something over 120 one-man shows, sell from about 20 galleries and have work in nearly 150 public collections — mostly in North  America and Europe.  I’ve illustrated books and magazines, published several art catalogs, created about 30 hand-made books, designed dozens of beer and wine labels, a few CD covers & book jackets; signs & architectural elements.  I’ve done what an artist does to get by and remain in the studio.  The Permanent Archive of my works, books, proofs, documentation and correspondence is housed at Special Collections: Western Michigan University in Kalamazoo MI. Several well-made videos about me and how I work are posted to You tube. 

Anything else you wish to know about me is probably on the internet  – beginning with my website:   Ladislavhanka.com

Rory grew up in a small sheep-ridden town in New Zealand before studying motion design and visual communication. When he was eight years old he discovered a love for typography and the craft of making letterforms with personality. That love continues to drive his creative ethos: Finding empathy in the intersection between personality and craftsmanship.

For the past 19 years, Rory has been telling stories for the world’s largest brands – pushing them to create deeper, more meaningful connections that transcend beyond the products and services they offer. He joined WO from VICE where he created global music and social impact programs for Johnnie Walker, Smirnoff, YouTube, Budweiser, & Bacardi. He believes deeply in the concept of brand as publisher.